Film Adi | | Karakter | Living It Up | (1954) | |
Three Coins in the Fountain | (1954) | |
Casanova's Big Night | (1954) | |
Ma and Pa Kettle on Vacation | (1953) | |
Assignment: Paris | (1952) | |
Steel Town | (1952) | |
Something to Live For | (1952) | |
The Prince Who Was a Thief | (1951) | |
Secrets of Monte Carlo | (1951) | |
The Fat Man | (1951) | |
Up Front | (1951) | |
Belle Le Grand | (1951) | |
Hit Parade of 1951 | (1950) | |
Harvey | (1950) | |
The Petty Girl | (1950) | |
Captain Carey, U.S.A. | (1950) | |
Paid in Full | (1950) | |
The Fighting Kentuckian | (1949) | |
Madame Bovary | (1949) | |
The Stratton Story | (1949) | |
The Life of Riley | (1949) | |
Words and Music | (1948) | |
The Countess of Monte Cristo | (1948) | |
An Innocent Affair | (1948) | |
One Touch of Venus | (1948) | |
Julia Misbehaves | (1948) | |
Romance on the High Seas | (1948) | |
Dream Girl | (1948) | |
Arch of Triumph | (1948) | |
On Our Merry Way | (1948) | |
I Walk Alone | (1948) | |
Road to Rio | (1947) | |
My Wild Irish Rose | (1947) | |
That Hagen Girl | (1947) | |
Blondie in the Dough | (1947) | |
The Invisible Wall | (1947) | |
Second Chance | (1947) | |
Brute Force | (1947) | |
The Web | (1947) | |
Dishonored Lady | (1947) | |
Hit Parade of 1947 | (1947) | |
Nora Prentiss | (1947) | |
The Michigan Kid | (1947) | |
Mr. District Attorney | (1947) | |
Calendar Girl | (1947) | |
The Beast with Five Fingers | (1946) | |
Deception | (1946) | |
Blondie Knows Best | (1946) | |
Honeymoon Blues | (1946) | |
The Killers | (1946) | |
Faithful in My Fashion | (1946) | |
Holiday in Mexico | (1946) | |
Sing While You Dance | (1946) | |
The Strange Love of Martha Ivers | (1946) | |
Passkey to Danger | (1946) | |
Two Sisters from Boston | (1946) | |
The Catman of Paris | (1946) | |
To Each His Own | (1946) | |
The Madonna's Secret | (1946) | |
The Fighting Guardsman | (1946) | |
Cornered | (1945) | |
An Angel Comes to Brooklyn | (1945) | |
Saratoga Trunk | (1945) | |
Yolanda and the Thief | (1945) | |
Micro-Phonies | (1945) | |
The Dolly Sisters | (1945) | |
Sunset in El Dorado | (1945) | |
Radio Stars on Parade | (1945) | |
A Bell for Adano | (1945) | |
Flame of Barbary Coast | (1945) | |
Where Do We Go from Here? | (1945) | |
Escape in the Desert | (1945) | |
A Song to Remember | (1945) | |
Experiment Perilous | (1944) | |
Dancing in Manhattan | (1944) | |
Nothing But Trouble | (1944) | |
House of Frankenstein | (1944) | |
End of the Road | (1944) | |
Storm Over Lisbon | (1944) | |
Mrs. Parkington | (1944) | |
The Conspirators | (1944) | |
Marriage Is a Private Affair | (1944) | |
Wilson | (1944) | |
The Hairy Ape | (1944) | |
Man from Frisco | (1944) | |
Cowboy and the Senorita | (1944) | |
Shine on Harvest Moon | (1944) | |
Action in Arabia | (1944) | |
In Our Time | (1944) | |
Lost Angel | (1943) | |
My Kingdom for a Cook | (1943) | |
I Dood It | (1943) | |
Wintertime | (1943) | |
Appointment in Berlin | (1943) | |
Mission to Moscow | (1943) | |
Clancy Street Boys | (1943) | |
Hit Parade of 1943 | (1943) | |
Hello Frisco, Hello | (1943) | |
They Got Me Covered | (1943) | |
Flight for Freedom | (1943) | |
Chetniks | (1943) | |
Casablanca | (1942) | |
Fall In | (1942) | |
I Married a Witch | (1942) | |
My Sister Eileen | (1942) | |
Somewhere I'll Find You | (1942) | |
The Talk of the Town | (1942) | |
Tales of Manhattan | (1942) | |
Wings for the Eagle | (1942) | |
I Married an Angel | (1942) | |
It Happened in Flatbush | (1942) | |
Take a Letter, Darling | (1942) | |
We Were Dancing | (1942) | |
Secret Agent of Japan | (1942) | |
Paris Calling | (1941) | |
Swing It Soldier | (1941) | |
The Feminine Touch | (1941) | |
Moon Over Her Shoulder | (1941) | |
Week-End in Havana | (1941) | |
An Ache in Every Stake | (1941) | |
I Was a Prisoner on Devil's Island | (1941) | |
Sunset in Wyoming | (1941) | |
Forced Landing | (1941) | |
Moon Over Miami | (1941) | |
Blood and Sand | (1941) | |
Affectionately Yours | (1941) | |
Citizen Kane | (1941) | |
Lady from Louisiana | (1941) | |
That Night in Rio | (1941) | |
A Shot in the Dark | (1941) | |
The Great Lie | (1941) | |
Six Lessons from Madame La Zonga | (1941) | |
Kitty Foyle | (1940) | |
Bitter Sweet | (1940) | |
The Mark of Zorro | (1940) | |
The Great Dictator | (1940) | |
Down Argentine Way | (1940) | |
Hired Wife | (1940) | |
Dance, Girl, Dance | (1940) | |
Foreign Correspondent | (1940) | |
New Moon | (1940) | |
Brother Orchid | (1940) | |
Beyond Tomorrow | (1940) | |
Rebecca | (1940) | |
The House Across the Bay | (1940) | |
The Grapes of Wrath | (1940) | |
Gone with the Wind | (1939) | |
Remember? | (1939) | |
Charlie Chan in City in Darkness | (1939) | |
Another Thin Man | (1939) | |
Mr. Smith Goes to Washington | (1939) | |
Rio | (1939) | |
Lady of the Tropics | (1939) | |
Beau Geste | (1939) | |
Mr. Moto Takes a Vacation | (1939) | |
Saved by the Belle | (1939) | |
Pest from the West | (1939) | |
Chasing Danger | (1939) | |
Never Say Die | (1939) | |
Winner Take All | (1939) | |
Midnight | (1939) | |
Wife, Husband and Friend | (1939) | |
The Three Musketeers | (1939) | |
Devil's Island | (1939) | |
Dramatic School | (1938) | |
Sharpshooters | (1938) | |
Vacation from Love | (1938) | |
Delinquent Parents | (1938) | |
Algiers | (1938) | |
Rascals | (1938) | |
Ankles Away | (1938) | |
A Trip to Paris | (1938) | |
Dr. Rhythm | (1938) | |
Torchy Blane in Panama | (1938) | |
Bluebeard's Eighth Wife | (1938) | |
Rose of the Rio Grande | (1938) | |
Dangerous to Know | (1938) | |
Fiddling Around | (1938) | |
Thank You, Mr. Moto | (1937) | |
Our Gang Follies of 1938 | (1937) | |
Daughter of Shanghai | (1937) | |
Expensive Husbands | (1937) | |
Fight for Your Lady | (1937) | |
The Great Garrick | (1937) | |
Angel | (1937) | |
The Bride Wore Red | (1937) | |
Thin Ice | (1937) | |
Broadway Melody of 1938 | (1937) | |
San Quentin | (1937) | |
The Emperor's Candlesticks | (1937) | |
A Day at the Races | (1937) | |
The Girl from Scotland Yard | (1937) | |
This Is My Affair | (1937) | |
Café Metropole | (1937) | |
Swing High, Swing Low | (1937) | |
Espionage | (1937) | |
Stolen Holiday | (1937) | |
Mama Steps Out | (1937) | |
Woman-Wise | (1937) | |
Love on the Run | (1936) | |
Come and Get It | (1936) | |
Under Your Spell | (1936) | |
Rebellion | (1936) | |
The Big Broadcast of 1937 | (1936) | |
Dodsworth | (1936) | |
Born to Fight | (1936) | |
Ticket to Paradise | (1936) | |
Fury | (1936) | |
Under Two Flags | (1936) | |
Mr. Deeds Goes to Town | (1936) | |
Doughnuts and Society | (1936) | |
The Country Doctor | (1936) | |
Give Us This Night | (1936) | |
The Oregon Trail | (1936) | |
I Conquer the Sea! | (1936) | |
Magnificent Obsession | (1935) | |
The Widow from Monte Carlo | (1935) | |
Miss Pacific Fleet | (1935) | |
I Dream Too Much | (1935) | |
Stars Over Broadway | (1935) | |
The Man Who Broke the Bank at Monte Carlo | (1935) | |
A Night at the Opera | (1935) | |
Rendezvous | (1935) | |
I Live My Life | (1935) | |
Without Regret | (1935) | |
Ladies Love Danger | (1935) | |
Diamond Jim | (1935) | |
Anna Karenina | (1935) | |
Top Hat | (1935) | |
Broadway Gondolier | (1935) | |
Paradise Canyon | (1935) | |
Break of Hearts | (1935) | |
Air Hawks | (1935) | |
Goin' to Town | (1935) | |
The Case of the Curious Bride | (1935) | |
On Probation | (1935) | |
I'll Love You Always | (1935) | |
The Lost City | (1935) | |
The Lost City | (1935) | |
The Great Hotel Murder | (1935) | |
The Good Fairy | (1935) | |
La veuve joyeuse | (1935) | |
Charlie Chan in Paris | (1935) | |
Enter Madame | (1935) | |
Sing Sing Nights | (1934) | |
Flirting with Danger | (1934) | |
Broadway Bill | (1934) | |
I Am a Thief | (1934) | |
The Marines Are Coming | (1934) | |
I Sell Anything | (1934) | |
Lady by Choice | (1934) | |
The Merry Widow | (1934) | |
One Night of Love | (1934) | |
Chained | (1934) | |
One More River | (1934) | |
The Count of Monte Cristo | (1934) | |
His Greatest Gamble | (1934) | |
Monte Carlo Nights | (1934) | |
He Was Her Man | (1934) | |
Viva Villa! | (1934) | |
Whirlpool | (1934) | |
Wonder Bar | (1934) | |
Nana | (1934) | |
Bedside | (1934) | |
Flying Down to Rio | (1933) | |
Girl Without a Room | (1933) | |
Jimmy and Sally | (1933) | |
Walls of Gold | (1933) | |
My Woman | (1933) | |
Voltaire | (1933) | |
Laughing at Life | (1933) | |
I Loved You Wednesday | (1933) | |
Picture Snatcher | (1933) | |
The Keyhole | (1933) | |
The White Sister | (1933) | |
Obey the Law | (1933) | |
Grand Slam | (1933) | |
Hallelujah I'm a Bum | (1933) | |
The King's Vacation | (1933) | |
A Farewell to Arms | (1932) | |
Love Is a Racket | (1932) | |
Street of Women | (1932) | |
This Is the Night | (1932) | |
Careless Lady | (1932) | |
Scarface | (1932) | |
Hotel Continental | (1932) | |
Her Majesty, Love | (1931) | |
Possessed | (1931) | |
The Man from Death Valley | (1931) | |
That's My Line | (1931) | |
Always Goodbye | (1931) | |
The Last Parade | (1931) | |
Kiss Me Again | (1931) | |
Oh, for a Man! | (1930) | |
Sin Takes a Holiday | (1930) | |
Oh, Sailor Behave | (1930) | |
Song of the Caballero | (1930) | |
A Notorious Affair | (1930) | |
Those Who Dance | (1930) | |
Lord Byron of Broadway | (1930) | |
Navy Blues | (1929) | |
Señor Americano | (1929) | |
The One Woman Idea | (1929) | |
Tide of Empire | (1929) | |
The Iron Mask | (1929) | |
The Rainbow | (1929) | |
The Gun Runner | (1928) | |
Prowlers of the Sea | (1928) | |
Fazil | (1928) | |
Una nueva y gloriosa nación | (1928) | |
Green-Eyed Love | (1928) | |
The House of Scandal | (1928) | |
The Devil's Skipper | (1928) | |
The Cohens and the Kellys in Paris | (1928) | |
Women's Wares | (1927) | |
Sunrise: A Song of Two Humans | (1927) | |
Paid to Love | (1927) | |
The Little Firebrand | (1927) | |
Uneasy Payments | (1927) | |
Turkish Howls | (1927) | |
The White Black Sheep | (1926) | |
Gigolo | (1926) | |
Bardelys the Magnificent | (1926) | |
The Amateur Gentleman | (1926) | |
The Dead Line | (1926) | |
Modern Youth | (1926) | |
The Volga Boatman | (1926) | |
La bohème | (1926) | |
Never Too Late | (1925) | |
Away in the Lead | (1925) | |
Without Mercy | (1925) | |
Speed Madness | (1925) | |
Off the Highway | (1925) | |
The Desert Flower | (1925) | |
The Coast Patrol | (1925) | |
He Who Laughs Last | (1925) | |
The Rose of Paris | (1924) | |
South of the Equator | (1924) | |
Reckless Speed | (1924) | |
Honoria Suarez en Hollywood | (1924) | |
Men | (1924) | |
The Thrill Chaser | (1923) | |
The Ten Commandments | (1923) | |
Flaming Youth | (1923) | |
The Spanish Dancer | (1923) | |
Adam's Rib | (1923) | |
Slander the Woman | (1923) | |
My American Wife | (1922) | |
The Ordeal | (1922) | |
Beyond the Rocks | (1922) | |
The Guttersnipe | (1922) | |
Exit Quietly | (1921) | |
Nothing Like It | (1921) | |
Assault and Flattery | (1921) | |
How She Lied | (1921) | |
Naughty Mary Brown | (1921) | |
Man vs. Woman | (1921) | |
Movie Mad | (1921) | |
Ain't Love Grand? | (1920) | |
Tea for Two | (1920) | |
The Great Lover | (1920) | |
Queens Are Trumps | (1920) | |
Goin' Thro' the Rye | (1920) | |
Kiss Me, Caroline | (1920) | |
Father's Close Shave | (1920) | |
Her Bridal Night-Mare | (1920) | |
Go West, Young Woman | (1919) | |
A Roman Scandal | (1919) | |
Wild and Western | (1919) | |
Shades of Shakespeare | (1919) | |
The Wildcat of Paris | (1918) | |
The Velvet Hand | (1918) | |
The Poor Fish | (1918) | |
Restitution | (1918) | |
The Law of the Great Northwest | (1918) | |
A Good Elk | (1918) | |
Her Bohemian Party | (1918) | |
The Hopper | (1918) | |
The Argument | (1918) | |
The Flames of Chance | (1918) | |
The Gown of Destiny | (1917) | |
Almost Divorced | (1917) | |
Local Color | (1917) | |
Love and Locksmiths | (1917) | |
Hearts and Clubs | (1917) | |
Green Eyes and Bullets | (1917) | |
Her Merry Mix-Up | (1917) | |
He Fell on the Beach | (1917) | |
Forbidden Paths | (1917) | |
A Bold, Bad Knight | (1917) | |
Heart Sick at Sea | (1917) | |
The Evidence | (1916) | |
Gretchen the Greenhorn | (1916) | |
Intolerance: Love's Struggle Throughout the Ages | (1916) | |
